Color scheme based upon chives flowers
Naif Al-Mutawa,a New York-based clinical psychologist has worked over the past decade to give Islamic youth positive superhero role models. In the video below first published on TED.com, he dissects the Biblical origins of Superman, Batman and Spider-man. He shows how universal truths gleaned from Christian and Jewish tradition led to the creation of the characters and mythos of the big-3 U.S. superheroes that appeal to many cultures globally.
Al-Mutawa used those same techniques to to create his own comic series. The 99, in which he bases a league of international superheroes upon the 99 virtues of Islam – and he says he’s tailored the stories to be universal positive truths regardless of the religious beliefs of the reader.
But the real goal is to reach out to Islamic youth and give them idols and powerful role models who are not terrorists or suicide bombers – and he’s working with a team of professionals that include former artists and writers on Iron Man and X-Men.
And, in October, there will be a crossover between D.C. Comics’ Justice League and The 99. Al-Mutawa explains in the video below:
For those reader who cannot play the above video, the full transcript is reprinted, with permission, below:
In October, 2010, the Justice League of America will be teaming up with The 99. Icons like Batman, Superman, Wonder Woman and their colleagues will be teaming up icons Jabbar, Noora, Jami and their colleagues. It’s a story of intercultural intersections. And what better group to have this conversation than those that grew out of fighting fascism in their respective histories and geographies. As fascism took over Europe in the 1930s, an unlikely reaction came out of North America. As Christian iconography got changed, and swastikas were created out of crucifixes, Batman and Superman were created by Jewish young men in the United States and Canada also going back to the Bible.
Consider this: like the prophets, all the superheroes are missing parents. Superman’s parents die on Krypton before the age of one. Bruce Wayne, who becomes Batman, loses his parents at the age of six in Gotham City. Spiderman is raised by his aunt and uncle. And all of them, just like the prophets who get their message from God through Gabriel, get their message from above. Peter Parker is in a library in Manhattan when the spider descents from above and gives him his message through a bite. Bruce Wayne is in his bedroom when a big bat flies over his head, and he sees it as an omen to become Batman. Superman is not only sent to Earth from the heavens, or Krypton, but he’s sent in a pod, much like Moses was on the Nile. (Laughter) And you hear the voice of his father, Jor-El, saying to Earth, “I have sent to you my only son.”
These are clearly biblical archetypes, and the thinking behind that was to create positive, globally-resonating storylines that could be tied to the same things that other people were pulling mean messages out of. Because then the person that’s using religion for the wrong purpose, just becomes a bad man with a bad message. And it’s only by thinking positive things that the negative can be delinked. This is the kind of thinking that went into creating The 99. The 99 references the 99 attributes of Allah in the Koran, things like generosity and mercy and foresight and wisdom and dozens of others that no two people in the world would disagree about, it doesn’t matter what your religion is. Even if you’re an atheist, you don’t raise your kid telling him, you know, make sure you lie three times a day. Those are basic human values.
And so the backstory of The 99 takes place in 1258, which history tells us the Mongols invaded Bagdad and destroyed it. All the books from Bait al-Hikma library, the most famous library in its day, were thrown in the Tigris River, and the Tigris changes color with ink. It’s a story passed on generation after generation. I rewrote that story. And in my version, the librarians find out that this is going to happen — and here’s a side note: if you want a comic book to do well, make the librarians the hero. It always works well. (Laughter) (Applause) So the librarians find out and they get together a special solution, a chemical solution called King’s Water, that when mixed with 99 stones, would be able to save all that culture and history in the books. But the Mongols get there first. The books and the solution get thrown in the Tigris River. Some librarians escape, and over the course of days and weeks, they dip the stones into the Tigris and suck up that collective wisdom that we all think is lost to civilization.
Those stones have been smuggled as three prayer beads of 33 stones each through Arabia into Andalusia in Spain, where they’re safe for 200 years. But in 1492, two important things happen. The first is the fall of Granada, the last Muslim enclave in Europe. The second is Columbus finally gets funded to go to India, but he gets lost. (Laughter) So 33 of the stones are smuggled onto the Nina, the Pinta and the Santa Maria and are spread in the New World. 33 go on the silk road to China, South Asia and Southeast Asia. And 33 are spread between Europe and the Middle East and Africa.
And now it’s 2010, and there are 99 heroes from 99 different countries. Now it’s very easy to assume that those books, because they were from a library called al-Hikma were Muslim books, but that’s not the case because the caliph that built that library, his name was al-Ma’mun — he was Harun al-Rashid’s son. He had told his advisers, “Get me all the scholars to translate any book they can get their hands on to into Arabic, and I will pay them its weight in gold.” After a while, his advisers complained. They said, “Your Highness, the scholars are cheating. They’re writing in big handwriting to take more gold.” To which he said, “Let them be, because what they’re giving us is worth a lot more than what we’re paying them.” So the idea of an open architecture, an open knowledge, is not new to my neck of the desert.
The concept centers on something called the Noor stones. Noor is Arabic for light. So these 99 stones, a few kind of rules in the game: Number one, you don’t choose the stone; the stone chooses you. There’s a King Arthur element to the storyline, okay. Number two, all of The 99, when they first get their stone or their power, abuse it; they use it for self-interest. And there’s a very strong message in there that when you start abusing your stone you get taken advantage of by people who will exploit your powers, okay. Number three, the 99 stones all have within them a mechanism that self-updates.
Now there are two groups that exist within the Muslim world. Everybody believes the Koran is for all time and all place. Some believe that means that the original interpretation from a couple thousand years ago to what’s relevant today. I don’t belong there. Then there’s a group that believes the Koran is a living, breathing document. And I captured that idea within these stones that self-update. Now the main bad guy, Rughal, does not want these stones to update. So he’s trying to get them to stop updating. He can’t use the stones, but he can stop them. And by stopping them, he has more of a fascist agenda, where he gets some of The 99 to work for him. They’re all wearing cookie-cutter, same color uniforms. They’re not allowed to individually express who they are and what they are. And he controls them from the top down. Whereas when they work for the other side, eventually, when they find out this is the wrong person, they’ve been manipulated, they actually, each one has a different colorful kind of dress.
And the last point about the 99 Noor stones is this. So The 99 work in teams of three. Why three? A couple of reasons. Number one, we have a thing within Islam that you don’t leave a boy and a girl alone together, because the third person is temptation or the devil, right. That’s there in all cultures, right? But this is not about religion, it’s not about prosthelytizing. There’s this very strong social message that needs to get to kind of the deepest crevices of intolerance. And the only way to get there is to kind of play the game. And so this is the way I dealt with it. They work of teams of three, two boys and a girl, two girls and a boy, three boys, three girls, no problem. And the Swiss psychoanalyst, Carl Jung, also spoke about the importance of the number three in all cultures, so I figure I’m covered. Well … I got accused in a few blogs that I was actually sent by the Pope to preach the Trinity and Catholicism in the Middle East, so you — (Laughter) you believe who you want — I gave you my version of the story.
So here’s some of the characters that we have. Mujiba, from Malaysia, her main power is she’s able to answer any question. She’s the Trivial Pursuit queen, if you want. But when she first gets her power, she starts going on game shows and making money. We have Jabbar from Saudi who starts breaking things when he has the power. Now, Mumita was a fun one to name. Mumita is the destroyer. So the 99 attributes of Allah have the yin and the yang. There’s the powerful, the hegemonous, the strong. And there’s also the kind, the generous. I’m like, are all the girls going to be kind and merciful and the guys all strong. I’m like, you know what, I’ve met a few girls who were destroyers in my lifetime, so … (Laughter) We have Jami from Hungary, who first starts making weapons. He’s the technology wiz. Musawwira from Ghana, Hadya from Pakistan, Jaleel from Iran who uses fire. And this is one of my favorites, Batina from Yemen. El Batina is the hidden. So Batina is hidden, but she’s a superhero. I came home to my wife and I said, “I created a character after you.” My wife is a Saudi from Yemeni roots. And she said, “Show me.” So I showed this. She said, “That’s not me.” I said, “Look at the eyes. They’re your eyes.”
So I promised my investors this would not be another made-in-fifth-world-country production. This was going to be Superman, or it wasn’t worth my time or their money. So from day one, the people involved in the project, bottom left is Fabian Nicieza, writer for X-Men and Power Rangers. Next to him Dan Panosian, one of the character creators for the modern-day X-Men. Top writer, Stuart Moore, a writer for Iron Man. Next to him is John McCrea, who was an inker for Spiderman. And we entered Western consciousness with a tagline: “Next Ramadan, the world will have new heroes” back in 2005.
Now I went to Dubai, to an Arab Thought Foundation Conference, and I was waiting by the coffee for the right journalist. Didn’t have a product, but had energy. And I found somebody from the New York Times. And I cornered him, and I pitched him. And I think I scared him — (Laughter) because he basically promised me — we had no product — but he said, “We’ll give you a paragraph in the arts section if you’ll just go away.” (Laughter) So I said, “Great.” So I called him up a few weeks afterward. I said, “Hi, Hesa.” And he said, “Hi.” I said, “Happy New Year.” He said, “Thank you. We had a baby.” I said, “Congratulations.” Like I care, right. “So when’s the article coming out?” He said, “Naif, Islam and cartoon? That’s not timely. You know, maybe next week, next month, next year, but, you know, it’ll come out.” So a few days after that, what happens? What happens is the world erupts in the Danish cartoon controversy. I became timely. (Laughter) So flurry of phone calls and emails from the New York Times. Next thing you knew, there’s a full page covering us positively, January 22nd, 2006, which changed our lives forever. Because anybody Googling Islam and cartoon or Islam and comic, guess what they got; they got me.
And The 99 were like superheroes kind of flying out of what was happening around the world. And that led to all kinds of things, from being in curricula in universities and schools to — one of my favorite pictures I have from South Asia, it was a couple of men with long beards and a lot of girls wearing the hijab — it looked like a school. The good news is they’re all holding copies of The 99 smiling, and they found me to sign the picture. The bad news is they were all photocopies, so we didn’t make a dime in revenue. (Laughter) We’ve been able to license The 99 comic books into eight languages so far, Chinese, Indonesian, Hindi, Urdu, Turkish. Opened a theme park through a license in Kuwait a year and a half ago called The 99 Village Theme Park, 300,000 sq. ft., 20 rides, all with our characters. A couple back-to-school licenses in Spain and Turkey.
But the biggest thing we’ve done to date, which is just amazing, is we’ve done a 26-episode animated series, which is done for global audiences, in fact, we already we’re already going to be in the U.S. and Turkey, we know. It’s 3D CGI, which is going to be very high-quality, written in Hollywood by the writers behind “Ben 10″ and “Spiderman” and “Star Wars: Clone Wars.” In this clip I’m about to show you, which has never been seen in the public before, there is a struggle. Two of the characters, Jabbar, the one with the muscles, and Noora, the one that can use light, are actually wearing the cookie-cutter fascist gray uniform because they’re being manipulated. They don’t know, okay. And they’re trying to get another member of The 99 to join them. So there’s a struggle within the team. So if we can get the lights …
Jabbar: Dana, I can’t see where to grab hold. I need more light.
Dana: There’s too much darkness.
Dr. Razem: There must be something we can do.
Man: I won’t send any more commandos in until I know it’s safe.
Rughal: It’s time to go, Miklos.
Miklos: Must download file contents. I can’t forget auntie.
Jabbar: I can’t do this without you.
Dana: But I can’t help.
Jabbar: You can, even if you don’t believe in yourself right now. I believe in you. You are Noora the Light.
Dana: No. I don’t deserve it. I don’t deserve anything.
Jabbar: Then what about the rest of us? Don’t we deserve to be saved? Don’t I? Now, tell me which way to go.
Dana: That way.
Alarm: Threat imminent.
Miklos: Stay away from me.
Jabbar: We’re here to help you.
Rughal: Don’t listen to them.
Dana: Miklos, that man is not your friend.
Miklos: No. He gave me access, And you want to reboot the [unclear]. No more [unclear].
So “The 99″ is technology; it’s entertainment; it’s design. But that’s only half the story. As the father of five sons, I worry about who they’re going to be using as role models. I worry because all around me, even within my extended family, I see religion being manipulated. As a psychologist, I worry for the world in general, but worry about the perception of how people see themselves in my part of the world. Now, I’m a clinical psychologist. I’m licensed in New York State. I trained at Bellevue Hospital survivors of political torture program. And I heard one too many stories of people growing up to idolize their leadership, only to end up being tortured by their heroes. And torture’s a terrible enough thing as it is, but when it’s done by you hero, that just breaks you in so many ways. I left Bellevue, went to business school and started this.
One of the things that I refer to when I — about the important of this message is that I gave a lecture at the medical school at Kuwait University — where I lecture on the biological basis of behavior — and I gave the students two articles, one from the New York Times and one from New York magazine. And I took away the name of the writer — everything was gone except the facts. And the first one was about a group called The Party of God, who wanted to ban Valentine’s Day. Red was made illegal. Any boys and girls caught flirting would get married off immediately, okay. The second one was about a woman complaining because three minivans with six bearded men pulled up and started interrogating her on the spot for talking to a man who wasn’t related to her.
And I asked the students in Kuwait where they thought these incidents took place. The first one, they said Saudi Arabia. There was no debate. The second one, they were actually split between Saudi and Afghanistan. What blew their mind was the first one took place in India, it was the party of a Hindu God. The second one took place in upstate New York. It was an Orthodox Jewish community. But what breaks my heart and what’s alarming is that in those two interviews the people around, who were interviewed as well, refer to that behavior as Talibanization. In other words, good Hindus and good Jews don’t act this way. This is Islam’s influence on Hinduism and Judaism. But what do the students in Kuwait say? They said it’s us. And this is dangerous. It’s dangerous when a group self-identifies itself as extreme.
This is one of my sons Reyan, who’s a Scooby Doo addict. You can tell by the glasses there. He actually called me a meddling kid the other day. (Laughter) But I borrow a lesson that I learned from him. Last summer when we were in our home in New York, he was out in the yard playing in his playhouse. And I was in my office working, and he came in, “Baba, I want you to come with me. I want my toy.” “Yes, Rehan, just go away.” He left his Scooby Doo in his house. I said, “Go away. I’m working. I’m busy.” And what Reyan did then is he sat there, he tapped his foot on the floor, at three and a half, and he looked at me and he said, “Baba, I want you to come with me to my office in my house. I have work to do.” (Laughter) (Applause) Reyan reframed the situation and brought himself down to my level.
And with The 99, that is what we aim to do. You know I think that there’s a big parallel between bending the crucifix out of shape and creating swastikas. And when I see pictures like this of parents or uncles who think it’s cute to have a little child holding a Koran and having a suicide bomber belt around them to protest something, the hope is by linking enough positive things to the Koran, that one day we can move this child from being proud in the way they’re proud there, to that. And I think — I think The 99 can and will achieve its mission.
As an undergrad at Tufts University, we were giving away free falafel one day and, you know, it was Middle East Day or something. And people came up and picked up the culturally resonant image of the falafel, ate it and, you know, talked and left. And no two people could disagree about what the word free was and what the word falafel was, behind us, “free falafel.” You know. (Laughter) Or so we thought, until a woman came rushing across the campus and dropped her bag on the floor, pointed up to the sign and said, “Who’s falafel?” (Laughter) True story. (Laughter) She was actually coming out of an Amnesty International meeting.
Just today, D.C. Comics announced the cover of our upcoming crossover. On that cover you see Batman, Superman and a fully-clothed Wonder Woman with our Saudi member of The 99, our Emirati member and our Libyan member. On April 26, 2010, President Barack Obama said that of all the initiatives since his now famous Cairo speech — in which he reached out to the Muslim world — the most innovative was that The 99 reach back out to the Justice League of America. We live in a world in which the most culturally innocuous symbols like the falafel, can misunderstood because of baggage, and where religion can be twisted and purposely made where it’s not supposed to be by others. In a world like that, they’ll always be a job for Superman and The 99.
Thank you very much.
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Author Susan M. Garrett died today after a months-long battle with cancer. Aside from being a professional writer (Intimations of Mortality, 1997, Berkeley, ISBN: 978-1572973138), she also wrote several unpublished novels and was actively involved in the fan fiction community, where she had a sizable fan base.
At her heart, Susan M. Garret was a storyteller, “Officially, I’ve been writing fiction since I was eight years old,” she said in one of her biographies. “It all began with fan fiction–they didn’t make enough new episodes of my favorite Saturday morning cartoon and children’s shows and so I started writing my own.”
From there, her writing took off. She had been published hundreds of times in various fanzines, including works of non-fiction as well as original fiction and fan fiction. It’s in fan fiction circles where the name Susan M. Garret gained an iconic status; a guarantee that a first-rate yarn was in store for the reader, true to the original characters.
She developed quite a large fan base with her original works based on the worlds of The Secret Adventures of Jules Verne and Forever Knight. It was her reputation in the latter that led to her book deal with Berekely in the 1990s.
Aside from developing a fan base of her own, Susan was a die-hard fan herself, where her fan career began in earnest in 1976, when she was inducted as the first American female into the UK’s storied Doctor Who Appreciation Society. A life-long fan of the Doctor and his adventures in the TARDIS, she kept up with the series until the end.
A publisher of several fanzines through the years (see partial list below), she had a distinguished impact on fandom in general and was the co-creator of the satirical “Not The MediaWest*Con Program Book” with Ann Larimer, that was distributed at MediaWest for many years.
Between 1989 and 1992, she published The Handy Dandy Adzine Calendar and Address Guide for Fanzine Editors and Other Busy People, a bi-annual adzine for and about adzines that was distributed at fan conventions and via the mail.
She also was the creator of two publications regarding fan publishing: The Fantastically, Fundamentally Functional Guide to Fanzines for Readers & Contributors in 1989, and The Fantastically, Fundamentally Functional Guide to Fanzines for Editors & Publishers in 1990.
She had a particular impact in science fiction and fantasy TV fandom as it came of age in the 1990s.
She was a top BNF (big-name fan) among Doctor Who (1970s-80s), Forever Knight (1990s), and most recently The Secret Adventures of Jules Verne (SAJV). It was her work in SAJV fandom that is still being felt today. She, along with a small team of dedicated fans, set up a multi-media network to save the show that had been cancelled by the SCIFI Channel – consisting of inter-linked websites, PR campaigns to advertisers and DVD/video distributors, and very detail-oriented and precise attack plans and events at fan conventions made the industry and other fans stand up and take attention.
Although it was too late to save SAJV, others took notes and those same tactics were later used in other campaigns, including the successful effort after FOX cancelled the series Firefly, in which many tactics originally developed by SAJVers under the tutelage of Susan M. Garrett led to Universal movie studio making the feature film, Serenity.
By that time, Susan started devoting more of her time practicing her writing. Born and raised on the east coast, but always fascinated by the lure of Hollywood (she was an extra in a 1999 episode of Homicide: Life on the Street when it filmed in Baltimore) Susan jumped at the chance to switch coasts when the opportunity arose in 2002 to move to the Los Angeles-area and be room mates with fellow SAJVer and empty nester with a room to spare, Vicci Varner. There she lived and wrote in the foothills overlooking Los Angeles for the past 8 years.
But, after a routine medical procedure in April 2010 revealed that Susan M. Garrett had advanced Stage 3 colon/stomach cancer, she spent her last months fighting the disease in her adopted home; as usual, she lived at the Varner house as part of the family until the end – with the help and care of her long-time friend and room mate, Vicci Varner, and her brother, Shawn. Recently, she was transferred to the intensive care unit of Cedars-Sinai Hospital in Beverly Hills, where she spent her 49th birthday. Her battle with cancer ended three days later with her drifting off in her sleep, on Saturday, August 14, 2010.
Although she has left us, Susan M. Garrett lives on in cyberspace. Below are a few links about her and her works:
- Susan M. Garrett’s Homepage – with many links to her stories
- Susan M. Garrett profile on FanHistory.com – profile
- Susan M. Garrett page on SFF.net – profile
- Susan M. Garrett page on Fanlore.org – profile
- Goodreads – her suggestions in literature
- LiveJournal Blog – last updated shortly before her health problems began
Starting this Labor Day, PBS stations will start airing a slice of fandom with the one-hour documentary, Four Days at DragonCon. Filmed by Atlanta- based documentarians, Jack Walsh and Gordon Ray during the 2009 con, the film is set to debut 9 p.m. (ET) Aug. 28 on WPBA PBS 30 in Atlanta and then roll out nationwide to other PBS member stations in the following months.
Dubbed in the media as “Woodstock for nerds,” ”the ultimate pop culture convention” and “the South’s sci-fi fantasy Mardi Gras,” this is no small regional sparsely-attended fan convention as Dragon*Con has grown to become the largest fan-run science fiction and fantasy convention in the world with tens of thousands of attendees taking up more Atlanta hotel space than the 1996 Summer Olympics (true, ComiCon is larger and gets more attention – but it is put on by a large corporation, not volunteer fans – and it shows.)
Below is a sneak preview of “Four Days at DragonCon”
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The Syfy channel announced today that it has picked up Merlin for its third season with 13 new episodes planned for
- Bradley James as Prince Arthur on BBC/Syfy’s “Merlin.” (Image via Wikipedia)
spring 2011 after first airing on BBC One in the UK starting in September 2010.
“We are thrilled that Syfy will be broadcasting the third series of Merlin. The upcoming season will add an exciting new twist to Merlin’s ongoing struggle to protect Prince Arthur, as well as thrilling audiences with bigger and bolder action sequences, stunning CGI monsters, mysterious villains and comic fun for all the family,” Merlin creator and executive producer, Johnny Capps said in a written statement.
Syfy citing ratings as a prime reason for the announcement. Merlin almost doubled Syfy’s Friday 10 p.m. timeslot overr the previous year. “The enchanting imagination of Merlin proved very popular with our audience and we’re delighted to bring the series back for a third season on Syfy,” Chris Regina, Syfy VP of programming, said.
TV choices continue to trudge through the dog days of summer; filled with endless reruns and so- Called “reality” programming.
Despite a few bright spots on cable and network TV – most notably Sunday night’s vampire melodramas True Blood on HBO and the much-better than expected The Gates on ABC, as well as Friday’s quirky fantasy series, Warehoue 13 and Haven on Syfy – genre TV fans are in the doldrums on the other 5 nights of the week.
One bright spot is that the new 2010 Fall TV season starts in a few short weeks. This is your guide to the debut dates of the returning genre TV programs (and a couple new shows, too).